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ANCIENT MARIAGE CUSTOMS
The Proposal
The process began with an elaborate marriage proposal and acceptance.
This process was placed in the hands of a go-between, who acted
as a buffer between the two parties - a role similar to that
of a real estate agent today. The important parties in proposal
and betrothal negotiations were the parents of the prospective
bride and groom, rather than the bride and groom themselves.
"Marriage was for continuing the ancestral line and creating
alliances between families -; too important a duty to be left
in the rash hands of the young," Costa explains."
When the boy's parents identified a likely bride-to-be, they
would send the go-between to present gifts to the girl's parents
and to sound out their feelings about the match. If the proposal
was well-received, the go-between would obtain the date and
hour of the girl's birth recorded on a formal document.
The groom's family would place this document on the ancestral
altar for three days. If no inauspicious omens, e.g. quarrels
between the parents or a loss of property, took place within
that time, the parents would give the information to a astrological
expert to confirm that the young woman and their son would make
a good match. If the boy's family found the horoscope to be
favorable, they gave the boy's birth date and hour to the go-between
to bring to the girl's family, who would go through the same
process.
Only after both outcomes were favorable, would the two families
arrange to meet. Finally face-to-face, each family evaluated
the other in terms of appearance, education, character, and
social position. If both were satisfied they would proceed to
the betrothal.
The Betrothal
First both sets of parents exchanged family credentials
as tokens of intention. Then, after extensive bargaining, the
two families would arrive at the amount of money and goods that
would make up the gift to the girl's family. After presenting
engagement tokens, the go-between would ask the bride's family
to chose among severalauspicious wedding dates suggested by
the boy's family and also set a date for presenting betrothal
gifts. The boy's family presented betrothal gifts of money and
significant items such as tea, "Dragon (male) and Phoenix
(female)" bridal cakes, pairs of male and female poultry,
sweetmeats and sugar, wine and tobacco, accompanied by an itemized
statement of these gifts. Tea was such a primary part of these
gifts in some areas that they were known collectively as cha-li,
that is, "tea presents." The girl's family reciprocated
with gifts of food and clothing.
It was customary for the girl's family to distribute the bridal
cakes they received from the boy's family to friends and relatives
as a form of announcement and invitation to the wedding feast.
The number of cakes given to each was established according
to a rigid etiquette, on the basis of seniority and degree of
intimacy. Those who received the bridal cakes, were expected
to present congratulatory gifts to the girl's parents. The boy's
family's gifts acknowledged the parents' efforts in raising
the girl, and by accepting the gifts, the girl's family pledged
her to the boy's. It is interesting to note that the bride was
given to the family rather than the groom alone. Although the
bride and groom probably had not met yet, betrothal was considered
binding unless both families agreed to annul the contract.
Several days after the presentation of the betrothal gifts,
the girl's family sent porters with an inventoried dowry to
the boy's house. The dowry consisted of practical items, including
a chamber pot, filled for the occasion with fruit and strings
of coins. This procession gave the girl's family the opportunity
to display both their social status and their love for their
daughter, and wealthy parents often included serving girls to
attend their daughter in her new home.
Betrothals generally lasted for a year or two, although child
betrothals would last until the children had grown to marriageable
age.
PREPARING
FOR THE WEDDING DAY
Retreating to the Cock Loft
In preparation for her impending departure, the bride-to-be
retreated from the ordinary routine and lived in seclusion in
a separate part of the house with her closest friends. During
this period, the young women sang laments, mourning the bride's
separation from her family and cursing the go-between -; as
well as the groom's family and even the girl's own parents.
Since this extended 'sleep over' often took place in the cock
loft, the bride's emergence on her wedding day was sometimes
referred to as "coming out of the cock loft."
Installing the Bridal Bed
Preparation on the part of the groom involved the installation
of the bridal bed on the day before the wedding. A propitious
hour and a 'good luck woman' or 'good luck man', that is a man
or women with many children and living mates, were selected
to install a newly purchased bed. (The installation ceremony
consisted of merely moving the bed slightly; the actual work
was done by servants or friends.)
After the bed was in place, children were invited onto the bed
as an omen of fertility -; the more, the merrier. For the same
reason, the bed was scattered with red dates, oranges, lotus
seeds, peanuts, pomegranates and other fruits. Part of the fun
was watching the children scramble for the fruit.
Day of the Wedding
The "Hair Dressing" Ritual of the bride and the
"Capping" Ritual of the groom symbolized their initiation
into adulthood and were important parts of the wedding preparations.
Red, symbolic of joy, featured prominently in the clothing and
other ritual objects pertaining to the wedding.
The "Hair Dressing" Ritual
At dawn on her wedding day (or the night before), the bride
bathed in water infused with pumelo, a variety of grapefruit,
to cleanse her of evil influences -; and one suspects as a cosmetic
to soften her skin in the manner of contemporary alphahydroxls.
She put on new underclothes and sat before lit dragon-and-phoenix
candles.
A 'good luck woman' attended the bridal preparations. She spoke
auspicious words while dressing the bride's hair in the style
of a married woman. After her hair was styled, the bride emerged
from her retreat. She was carried to the main hall on the back
of the 'good luck' woman or her most senior sister-in-law. There
she donned a jacket and skirt and stepped into a pair of red
shoes, placed in the center of a sieve. The bride's face was
covered with either a red silk veil or a 'curtain' of tassels
or beads that hung from the bridal Phoenix crown. (The photo
below was taken at the mock wedding at a prior year's Chinese
Summer Festival.
After completing her wedding preparations, the bride bowed to
her parents and to the ancestral tablets and awaited the arrival
of the bridal procession from the groom's house.
The "Capping" Ritual
Dressed in a long gown, red shoes and a red silk sash with
a silk ball on his shoulder, the groom knelt at the family altar
while his father placed a cap decorated with cypress leaves
on his head.
The groom bowed first before the tablets of Heaven and Earth
and his ancestors, then to his parents and the assembled family
members. His father removed the silk ball from the sash and
placed it on top of the bridal sedan chair.
The Procession from the Groom's House to Obtain the Bride
The dim of firecrackers, loud gongs and drums marked the
start of the procession from the groom's home. The groom led
the procession accompanied by a child as an omen of his future
sons, and the bridal sedan chair was proceeded by attendants
with lanterns and banners, musicians, and a 'dancing' lion or
unicorn. According to Hsiang, "Several decades ago, when
there was a wedding in Fukien, the groom would to the bride's
house to fetch her, taking with him the bridal chair, which
was completely covered with red satin and fresh flowers. He
himself made the journey there and back in a blue and yellow
teak sedan chair. "
On arriving at the bride's house, the groom's party was met
by the bride's friends, who would not 'surrender 'the bride
until they were satisfied by red packets of money, ang pau from
the groom's representative. This was the occasion of much good-natured
haggling before the two parties could reach an agreement.
In some cases, the groom would take dinner with the bride's
family, and receive a pair of chopsticks and two wine goblets
wrapped in red paper, symbolic of his receiving the joy of the
family in the person of their daughter. In some regions, he
would be offered sweet longan tea, two hard-boiled eggs in syrup
and transparent noodles. Another variation was the groom's partaking
of soup with a soft-boiled egg, the yolk of which he was expected
to break, arguably symbolic of breaking the bride's ties with
her family.
The Bride's Journey to the Groom's House
The 'good luck woman' or a dajin, employed by the bride's
family to look after the bride, carried the bride on her back
to the sedan chair. Another attendant might shield the bride
with a parasol while a third tossed rice at the sedan chair.
Sometimes the bride was borne out in a wooden 'cage' with her
feet padlocked -; presumably a remnant from rougher times with
extremely reluctant brides.
A sieve, shai-tse, which would strain out evil, and a metallic
mirror, king, which would reflect light, were suspended at the
rear of the bride's sedan to protect her from evil influence.
The bride might also attach a special mirror to her garment,
which she would not remove until she was safely seated upon
the marriage bed. Firecrackers were set off to frighten away
evil spirits as the bride departed in the sedan chair. The physical
movement symbolized the transfer of the bride from her parent's
family to her husband's.
Great care was taken to ensure that no inauspicious influence
would affect the marriage. The female attendants who escorted
the bride to her new home were chosen with particular care that
the horoscope animals of their birth years were compatible with
that of the bridegroom. The sedan chair itself was heavily curtained
to prevent the bride from inadvertently glimpsing an unlucky
sight, e.g. a widow, a well, or even a cat. Attendants scattered
grain or beans, symbols of fertility, before her.
Arriving at the Groom's House
Once again, firecrackers were set off just before the procession
arrived. A red mat was placed before the sedan chair for the
bride lest her feet touch the bare earth as she dismounted.
All the household would be waiting to receive her.
The bride was required to step over a saddle or a lit stove
to cross the threshold, since the words for "saddle"
and "tranquillity" sound the same, ngan, and the fire
would cast out of evil influences. An attendant might immediately
place a heap of rice in a sieve over or near the bride. If the
bride did not wear a lucky mirror, one might be used at this
time to flash light upon the bride. In some regions, a grain
measure and a string of of copper coins were laid out as talismans
of prosperity.
After these rituals took place, the groom could finally raise
the red scarf and view the bride's face.
The Wedding
In contrast to the elaborate preparations, the wedding ceremony
itself was simple. The bride and groom were conducted to the
family altar, where they paid homage to Heaven and Earth, the
family ancestors and the Kitchen God, Tsao-Chün. Tea, generally
with two lotus seeds or two red dates in the cup, was offered
to the groom's parents.
Then the bride and groom bowed to each other. This completed
the marriage ceremony, except in some regions, where both also
drank wine from the same goblet, ate sugar molded in the form
of a rooster, and partook of the wedding dinner together.
The Nuptial Chamber
Immediately after the ceremony, the couple were led to the
bridal chamber, where both sat on the bed. In some areas, honey
and wine were poured into two goblets linked by a red thread.
The bride and groom took a few sips and then exchanged cups
and drank it down. On the day of the wedding (and sometimes
for the next three days), the bed chamber was open to visitors,
who were given to teasing the young couple with ribald remarks.
The Wedding Banquets
Generally, separate wedding feasts were given by the parents
of the bride and the groom for their respective friends and
families. Even at the feast, men and women sat separately. There
could be a single feast for each or a series of feasts over
several days. However, the most important feast was that given
the groom's family on the day of the wedding. It was generally
considered as public recognition of the union.
POST-WEDDING
RITUAL
Day After the Wedding
On the day after the wedding, the bride awoke early to attend
honor the ancestors at dawn. It was only then that she was then
formally introduced to the groom's relatives and friends. As
she knelt before each of the older relatives, she received a
small gift. The bride's parents-in-law gave her a title according
to her husband's seniority in the family hierarchy.
Three Days After the Wedding
In general, three days after the wedding, the couple paid
a visit to the bride's family home, where the bride is now received
as a guest. Contributed By: I. Rutledge
CONTEMPORARY
CHINESE WEDDING CUSTOMS
The application of ancient customs in contemporary Chinese
weddings is of great interest of many of our visitors. The following
may be helpful in applying Chinese traditions to contemporary
weddings.
Selecting an Auspicious Wedding Date:
Auspicious days are subject to interpretation by fortune
tellers that perform the analysis based on one's birth date
(day and hour) after consultation with the Chinese almanac.
Almanacs containing predictions for the entire year are sold
at the beginning of the Lunar New Year by street vendors and
in book stores. These paperback books are approximately two
inches thick with a wealth of information about Chinese beliefs.
It is said to be the oldest continuous publication known. Different
versions are published in Taiwan, Hong Kong and mainland China,
but unfortunately an English version is not available. In the
Chinese community it is considered bad form if an individual
consults the almanac and performs a self analysis. That is why
a fortune teller or Fung Suey [Feng Shui] expert is consulted.
They usually can also provide horoscope information in advance
of the publication of the almanac.
The 15 day period from the middle to the end of the seventh
lunar month is considered inauspicious because that is time
of the Hungry Ghost Festival when the gates of Hell are opened
and the lost spirits are allowed to wonder the earth. They should
not be invited to your wedding!
Contemporary Chinese Wedding Tea Ceremony
Contemporary Chinese Wedding Banquet
Chinese Lion Peformance at Wedding Reception
Double Happiness: Each half of the symbol is the standard
character for happiness, written "hsi" or "xi,"
and pronounced something like "she" in Mandarin (high
level tone -; the first tone). Therefore, two "hsi"
graphs together represents the wish for the two young newlyweds
to have happiness together. The double happiness graph (pronounced
"shuang-hsi" in Mandarin) is a special Chinese character
used for marital happiness. It's not used in regular Chinese
writing or printing.
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